The record opens in fine fashion with “Hand of the Divine,” which immediately stakes its claim upon The Agony Scene’s upper echelon and perfectly sets the stage for what’s to come. Tormentor is one of those records that grabs you by the throat and refuses to let go. Tormentor continues the evolution toward a more traditional-metal based sound-picking up, more or less, where that third album left us more than a decade ago, while also reintroducing elements of melodic death and other extreme metals into their sound. Yet, by 2007’s Get Damned, many of the traditional metalcore tropes had been dropped entirely, in favor of a more thrash-oriented sound. The Darkest Red (2005) achieved a similar effect, albeit with a greater emphasis on melody, by combining Slipknot‘s nu-metal sensibilities with a more melodic death metal template. Many of their peers have succeeded by simply cementing their relevance in recent years, but the Tusla natives have truly outdone themselves: delivering what is undoubtedly the best record of their career and one which sits alongside Bleed From Within‘s Era (2018) as the gold standard by which all further comers will be measured.Īlthough The Agony Scene were quickly pigeon-holed with the metalcore crowd off the back of their self-titled debut (2003), their successive offerings did little to support such categorization. However, few have been as unexpected or as outstanding as The Agony Scene‘s Tormentor. 2018 has seen some surprising, and surprisingly solid, comebacks from many of the metalcore and NWOAHM bands that populated the early 2000s.
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The importance of representability is that this will allow us to “transfer” interesting properties of morphisms between schemes such as being surjective, etale, or smooth, to functors between categories or natural transformations between functors. For this we need first the idea of a representable functor (and the closely related idea of a representable presheaf). Next we want to have more specific examples of interest in algebraic geometry, namely, algebraic spaces and algebraic stacks. We now have the abstract idea of a stack in terms of category theory. (ii) is stack if and only if it is a sheaf. (i) is a prestack if and only if it is a separated functor, Going back to the example of a presheaf as a fibered category, we now look at what it means when it satisfies the conditions for being a prestack, or a stack: If the functor is an equivalence of categories, then the fibered category is a stack. If the functor is fully faithful, then the fibered category is a prestack. Now we give the definitions of prestacks and stacks using the functor we have defined earlier. If, in addition, it is also essentially surjective, then it is called an equivalence of categories. Ī functor which is both faithful and full is called fully faithful. Ī functor is essentially surjective if any object of is isomorphic to the image of some object in under. Ī functor is full if the induced map is surjective for any two objects and of. An object with descent data that is in the essential image of this functor is called effective.īefore we give the definitions of prestacks and stacks, we recall some definitions from category theory:Ī functor is faithful if the induced map is injective for any two objects and of. We can define a functor by assigning to each object of the object with descent data given by the pullback and the canonical isomorphism. Therefore we obtain a category, the category of objects with descent data, denoted. Ī morphism between two objects with descent data is a a collection of morphisms in such that. The morphisms and the are the projection morphisms. The notations and means that we are “pulling back” and from and, respectively, to. An object with descent data is a collection of objects in together with transition isomorphisms in, satisfying the cocycle condition Let be a covering (see Sheaves and More Category Theory: The Grothendieck Topos) of the object of. The theory of descent can be thought of as a formalization of the idea of “gluing”. Now that we have the concept of fibered categories, we next want to define prestacks and stacks. Central to the definition of prestacks and stacks is the concept known as descent, so we have to discuss it first. Hence, the example given in the previous paragraph, that of a presheaf, is also an example of a category fibered in groupoids, since it is fibered in sets. A set is a special kind of groupoid, since it may be thought of as a category whose only morphisms are the identity morphisms (which are trivially their own inverses). A groupoid is simply a category where all morphisms have inverses, and a category fibered in groupoids is a fibered category where all the fibers are groupoids. Ī special kind of fibered category that we will need later on is a category fibered in groupoids. a functor we can consider it as a category fibered in sets. Īn important example of a fibered category is given by an ordinary presheaf on a category, i.e. Under the functor, the objects of which get sent to in and the morphisms of which get sent to the identity morphism in form a subcategory of called the fiber over. This means that any other morphism whose image under the functor factors as must also factor as under some unique morphism whose image under the functor is. If is a category over some other category, we say that it is a fibered category (over ) if for every object and morphism in, there is a strongly cartesian morphism in with. Given a category, we say that some other category is a category over if there is a functor from to (this should be reminiscent of our discussion in Grothendieck’s Relative Point of View). We need first the concept of a fibered category (also spelled fibred category). In this post, we introduce the concepts of algebraic spaces and stacks, far-reaching generalizations of the concepts of varieties and schemes (see Varieties and Schemes Revisited), that are very useful, among other things, for constructing “ moduli stacks“, which are an improvement over the naive notion of moduli space, namely in that one can obtain from it all “families of objects” by pulling back a “universal object”. We introduced the concept of a moduli space in The Moduli Space of Elliptic Curves, and constructed explicitly the moduli space of elliptic curves, using the methods of complex analysis. Instantly, compare your best financial options based on your unique business data. Spend more time crushing goals than crunching numbers. Fortunately, this is fairly simple and usually free –at least in the most basic forms. Position your business to its best advantage by making your phone number available to would-be clients in multiple venues. It’s impossible to serve customers unless they know how to find you. What happens if that person loses your business card? They can’t call directory assistance to get in touch because they don’t know where you live. Suppose you’re a location-independent content provider who meets (and clicks with) a potential client at a conference. To further complicate matters, those who use smartphones, Voice Over Internet Protocol (VoIP) service, or their home landlines as business numbers risk not being listed correctly – or at all.Īdditionally, some small businesses aren’t associated with a particular city. Multiple carriers mean multiple directory assistance services. Today, the telecommunications industry is decentralized and sprawling. Before the internet was a thing, people got their needs met by letting their fingers do the walking (to use an old Yellow Pages ad jingle). Why Business Numbers Matterīack in the day, businesses found customers by having their company numbers listed in the phone book (both the white and yellow pages). Here’s how to get that business phone number you need to grow, and why it’s still incredibly important in today’s digital age. But how do you go about finding customers? While there are a lot of notable ways, such as social media, a website, ads in local publications, innovative PR that gets you featured on local (or national) media, and, of course, good old-fashioned word of mouth, there’s one thing a reputable business can’t forget: The old-school method of having your business phone number-and putting it everywhere. You’ve set up your food truck or your doggie daycare, and you’re ready to win at this small-business game. From there, he gets progressively creepier until he’s obviously stalking you. He’s the first person you go on a date with and you can’t avoid it. Eric is the villain in Boyfriend Dungeon. If you’ve heard of this game, you’ve likely also heard about the backlash over its content warning and the stalking content. Let’s talk about the big ol’ elephant in the digital room. Given how many LGBTQ people have fraught parental relationships, this felt sensitive and thoughtful. Finally, I was pleasantly surprised by a message at the beginning of the game, asking me if I wanted to receive messages from a character called “Mom,” giving me the option to not receive them. Also, the choices in starting gear for your character’s noggin include a turban and a headscarf. I enjoyed switching up my character’s gender as I progressed and seeing all the other characters roll with it, because it validates how fluid gender can be for people like me. Even better, you can change any of these as often as you like. You get to choose your character’s name, pronouns (she/her, they/them, he/him), eye shape, skin colour, hairstyle, and hair colour. Tara: My favourite aspect of Boyfriend Dungeon is its inclusive approach to character creation. In terms of romance plus weapon play style, Valeria was the easiest for me to get into and I loved wielding her as a dagger. Like Tara, I loved Seven and found him to be the biggest challenge to win him over, though all the dating aspects are kind of easy and there isn’t a punishment for choosing the wrong dialogue option. He perfectly aligns with my own reading tastes.Ī flirtatious and mysterious dude who doesn’t wear a shirt. There are a lot of archetypes and tropes associated with each romanceable character, which I think will really appeal to romance readers. I wanted to like Isaac, especially since he’s so socially conscious and started a business focused on wealth distribution, but I found him kind of boring and the épée is my least favourite weapon to play with.Īmanda: I’m definitely with Tara in that Isaac was a little boring. My favourites are Seven, a K-pop star who talks about living with depression and shapeshifts into a light sabre Valeria, a street artist with a hard edge who turns into a stabby dagger and Rowan, a sweet and dark nonbinary person who will make you tea and shifts into a vicious scythe. Some of the dateable characters worked better for me than others. However, I do love a dungeon crawler where different aspects are randomly generated to keep things spicy! Layouts of dungeons will change each time you load in, as well as the number of enemies, collectable locations, etc. I found it a compelling incentive, since this is also how we get the bulk of the narrative content.Īmanda: Unlike Tara, I haven’t played Hades, and I know I’m missing out.
Using the same parameters above, the PDF Exporter produced a file that was 57.4MB and which I was unable to open because it caused my 32GB RAM-64-bit OS-Xeon processor-solid state HD workstation to run out of memory whereas the TIFF technique produced a 16MB file that opens without any issues on any machine. This map has 3 annotation layers containing a total of 60 label classes, about 30 vector layers (some of them transparent), label masks, and a single relief raster layer positioned above several vector layers. At some point the ArcGIS exporter produces files so large and complex, they become unusable as most users will not even be able to open them or if only vectors are used, the file will take a very long time to draw.įor example, I run the same test on a map that is more complex, a more typical representative of the daily work I do. Additionally, the actual renderer itself produces files that are far larger then those exported to tiff then subsequently converted to PDF in Adobe. Any layer below a layer that has a transparency other than 0% will be rasterized as well so as complexity of the map increases so does the ability of the PDF exporter to utilize vectors. Any vector layer bellow a raster layer will be rasterized when the ArcGIS PDF Exporter is used. Things get a little more complicated as the complexity of the map increases. Personally I prefer the smaller file for emailing and distribution but may choose the PDF exporter file for press. Also the result magnification is 400% so the differences are not noticeable when viewed at 100% or when printed. However, there is no difference in the quality of the raster. TIFF Export converted to PDF file size: 3.13 MBĬonclusion: Clearly, the PDF exporter result shows cleaner line work because features on top of raster were converted to vector graphics. Greyscale Compresion: JPEG (Quality: Medium)Ĭolor Compression: JPEG (Quality: Medium) Picture Symbol: Rasterize layers with bitmap markers/fillsĪdobe Renderer (Converting TIFF to PDF) Settings: Output Image Quality (Resample Ratio): Best For the PDF export I chose the following parameters: I run a small test exporting a simple tabloid sized map with imagery, some vector layers and some annotations using both PDF and the TIFF technique described herein. I email and distribute a lot of complex maps (by a lot i mean 1000s) and I need my output to be high resolution and small in file size and this is what works for me. but I have not found anything better to date. I've been suggesting this technique to people from time to time but received a lot of negative rap for it being a bit of a hack, requiring the purchase of additional software, etc, etc. Personally, I would not recommend the PDF exporter for complex maps, maps with transparencies and maps containing rasters. The PDF exporter in ESRI works reasonably well for exporting vector maps with no transparencies. Adobe is not cheap but there is simply no comparison when it comes to accurate conversion and on-screen display. Adobe Acrobat works best, other 3rd party PDF makers are not as good I've tested a few with mixed results either the resulting PDF was larger, or appeared more down-sampled or the on-screen viewer rendering was subpar. (Important note: this only works well with TIFF) You can tweak the rendering options in Adobe if need be but you will get the best and most importantly the smallest result (in file size) using this workaround. Considering the fact that you are exporting some raster data as well the best technique, IMHO, is to NOT use the ArcGIS PDF exporter at all but rather export to a high resolution TIFF instead and then convert the tiff using Adobe Acrobat Pro renderer to PDF. |
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